Else Holmelund Minarik wrote this tale of a Bear and his Mother for her own daughter, to read in the mornings before school — longhand, as she wrote all her manuscripts, because she never learned to type. Together with Maurice Sendak's delightfully shaggy illustrations, Minarik's gentle words are perfect for the littlest readers. (For ages 4 to 8)
Anna Hibiscus lives in "Africa, amazing Africa," in a compound with her large and loving family. Nigerian storyteller Atinuke spins a wonderful saga of modern West African family life — follow along with Anna as she learns about the world outside her walls, faces stage fright and even snow for the first time. (For ages 4 to 10)
Juana lives in Bogotá, Colombia, and she loves drawing, her dog Lucas and Brussels sprouts. (Did you know they're called repollitas in Spanish?) This is a lively, loving tour of Juana's world, liberally sprinkled with Spanish words to learn as you go — meanwhile, Juana has to practice her English, and she's really not happy about that. (For ages 5 to 8)
Dory is the youngest in her family, with a yen for attention and an overactive imagination — and did we mention her nemesis, Mrs. Gobble Cracker? Young readers will love following along with Dory as she battles everything from monsters around the house to pirates to more mundane concerns like making and keeping friends. (For ages 6 to 8)
Junie B. Jones is almost 6 years old! And she's really excited about everything, especially spaghetti and meatballs. The B stands for Beatrice, by the way. This series made the American Library Association's list of 100 top banned or challenged books from 2000 to 2009; apparently, some grown-ups thought sassy, mouthy Junie wasn't a good role model. We disagree. (For ages 6 to 9)
Ivy is quiet; Bean is loud and goofy. Ivy wants to be a witch, Bean wants to play games. Naturally, they're going to end up being best friends and getting into all kinds of scrapes together since their approach to pretty much everything — from discovering dinosaurs to starting their own summer camp — is "Why not?" (For ages 6 to 10)
Spunky, redheaded third-grader Clementine starts this series by having a seriously bad week (how many times is she going to get sent to the principal?), but we promise things will get better. Fans of Ramona Quimby will get a kick out of Clementine, her brother Spinach (that's not really his name) and her sort-of-snooty best friend Margaret. (For ages 6 to 10)
Ryan Hart wants to see the good in everybody — even when she gets teased for having a boy's name. She has a lot to deal with — her dad's been laid off and the family has to move to a smaller house. But when Ryan runs into problems, she's always looking for ways to make sunshine. (For ages 7 to 10)
A delightfully gruesome tale in the Roald Dahl vein. Sheila lives with her father and unpleasant stepmother; she's bullied by a classmate and sneered at by her teacher. Her only friend is a rat she names Armitage, after the brand of toilet in her apartment — but could scary Burt, who sells burgers from a food truck outside her school, be making his burgers out of ground-up rat? (For ages 8 and up)
This book is responsible for my attempt, at age 7, to have a conversation with the swans at the National Zoo by standing outside their enclosure yelling "Ko-hooo!" E.B. White wrote a full shelf of children's classics, but this story about a mute trumpeter swan — who woos his lady love with an actual trumpet — should get more attention than it does. (For ages 8 to 12)
On her 12th birthday, Zoe Washington gets a letter from the father she's never met, who's in prison for a crime he says he didn't commit. Is he innocent? Zoe decides to find out — but it's hard to keep her investigation secret from the rest of the family AND stay on top of things at her bakery internship so she can achieve her dream of competing on a TV baking show. (For ages 8 to 12)
Fans of Ballet Shoes and the Green Knowe books will love this tale of four sisters who go to spend their summer vacation in a cottage on the grounds of a grand mansion. Each sister has a unique, winning personality; young readers will finish the first book and want to spend more time with them. Luckily, there are four more Penderwicks books. (For ages 8 to 12)
Fans of Raina Telgemeier will love Jerry Craft's sympathetic graphic novel about seventh-grader Jordan, who's trying to fit in at the fancy new private school where he's one of the few kids of color in his grade. And all he really wants to do is draw comics — so how can he stay true to himself and his neighborhood, and still figure out his new school? (For ages 8 to 12)
Roz the robot wakes up on a remote island — how did she get there? Who knows! All she knows is that she has to survive. And surviving involves making friends with otters and baby geese, climbing cliffs and avoiding storms — until Roz finally remembers who she is and why she's on the island. (For ages 8 to 12)
Lots of people think their cats are aliens — but Klawde really is one. Once the High Commander of the planet Lyttyrboks, he's lost his throne and been exiled to earth, so he has something in common with Raj Banerjee, who's been exiled to rural Oregon because of his mom's new job. The chapters switch back and forth between Raj and Klawde, whose narration of his new life has the hilariously overamped hysteria of the best B-movies. (For ages 8 to 12)
We always say that these polls don't produce ranked lists — and they truly don't — but I'd be remiss in not pointing out that Maud Hart Lovelace's Betsy-Tacy books, about the enduring friendship between two young girls — got the most votes of any book on this list. The series grows up with its readers; at the beginning, Betsy and Tacy are small children; we see them through adventures fanciful and down-to-earth, and finally leave them as young married women. (For ages 8 to 12)
Sure, Pippi Longstocking is great — but have you met Ronia, the robber's daughter? Born in her father's castle in the middle of a thunderstorm, Ronia grows up compassionate and brave. She befriends Birk, the son of a rival robber, and when she brings him food during a harsh winter, her father disowns her; she ends up living an adventurous life in the woods with Birk. (Don't worry, everyone is reconciled in the end.) (For ages 8 to 12)
A classic! Leroy Brown (not the bad one) is a 10-year-old genius who solves mysteries for 25 cents a day (no case too small) — often for his police chief dad, and often involving his nemesis, the bully Bugs Meany — alongside his pal and partner Sally Kimball, who often solves the case by noticing things Encyclopedia doesn't. (For ages 8 to 12)
Quiet, studious Christine and lively, messy Moon are unlikely friends — but when Moon and her family move in next door, they form a close bond. Moon has a secret: She sees heavenly visions, hears voices that tell her she doesn't belong on earth. But those visions have a terrible earthly cause, and Christine has to find it in herself to be the friend Moon needs as she fights for her life. Jen Wang based this heartfelt story of friendship through adversity — which was a 2019 Book Concierge pick — on her own childhood. (For ages 8 to 12)
Folk Tales For KidsFair warning — Tracey Baptiste's Jumbies books, based on Caribbean folklore, are scary. REALLY scary. But Corinne La Mer isn't afraid of anything, especially jumbies, since everyone knows they're just made up, right? But then one night she sees yellow eyes shining in the forest ... and soon, she finds she has to use all her wiles to keep the jumbies away from her island. (For ages 9 to 12)
Best friends Daisy Wells and Hazel Wong do what any enterprising young women at boarding school would do: They form a detective agency — and quickly run up against their first real case when Hazel finds the body of their science teacher sprawled on the gymnasium floor. And that's just the beginning for this detective duo and their strangely murder-prone school. (For ages 10 and up)
The budding drama club kids in your life will love this trilogy about a small-town boy with big Broadway dreams. Nate Foster longs to get away from Jankburg, Pa., to star in a Broadway show (or even just see one). And then something amazing happens: There's an open casting call for a Broadway musical based on E.T. He just has to get there. (For ages 10 and up)
We did not include the Little House books on this list — they're already part of the Ultimate Backseat Bookshelf. But readers wanting a frontier tale will find a friend in Hanna, a mixed-race girl growing up in the Dakota territory in 1880. Author Linda Sue Park made the parallels between Hanna and Laura Ingalls deliberate — as she writes in her author's note, she loved the Little House books as a child, but she knew Ma and Pa Ingalls wouldn't have let Laura "become friends with someone like me ... someone who wasn't white." (For ages 10 to 12)
Many authors' dream is to write a children's book, and to inspire young minds with heartfelt stories and playful imagination. Many assume that writing for kids is easier, but writing great children's literature is no easy feat, especially if you're brand-new to the game.
In this post, we cover everything you need to know about writing a children's book, borrowing insights from experienced children's book editors like Anna Bowles, Jennifer Rees, Cara Stevens, and others.
The best picture books are simple stories that engage children, and show them a fun or valuable perspective. Think about Dr. Seuss’s classic Green Eggs and Ham: the whole story premise is that the main character, Sam-I-Am, tries to convince his friend, a picky eater, to try green eggs and ham. It engages children with something relatable 一 being reluctant to try new foods 一 and it shows that perhaps it’s not so bad to give it a try.
It can help to write your story with a specific child in mind — one you know personally. If you are a parent, a teacher, or have dealt with kids personally, think of them as you write your story. Connect with the way they experience life and the things they value. Remember the sorts of things that make them laugh.
Most importantly, consider what’s compelling to them. Maybe your story can address some of their fears and doubts, or evoke their most cherished moments. Wemberly Worried by Kevin Henkes is about a little mouse who’s concerned about all kinds of things — especially starting school. The story reflects an anxiety many children experience and provides a hopeful message that things will be okay.
Dianne Ochiltree’s picture book It's a Firefly Night tells the story of a girl who catches fireflies in a jar on a warm summer night, but ultimately makes the decision to release them. This is an experience many kids will relate to 一 and will make them feel good as our young hero learns to care for and respect the little creatures around her.
As long-time children’s book editor Brooke Vitale points out, the most popular picture book concepts haven’t massively changed over the years. “Across the board, the top-selling themes for picture books have been bedtime, farm, and ABC.” This is because they’re subjects kids can relate to: bedtime rituals, farm animals and their sounds, and learning to read.
“Also high on the list have been holidays, in particular Christmas, Easter, and Halloween, and the reason for this is because they're marketable.” By marketable, Vitale means that these sorts of picture books are ones that people could easily buy as gifts for children.
Some smaller holidays are on the rise too, like Mother's and Father’s Day, as well as graduation celebrations. But you don’t have to tie your story too closely to the specific holiday you’re targeting 一 a Mother’s Day book can be about a mother-and-daughter relationship, or a graduation title can be an aspirational tale set around education, making the story evergreen and relevant year-round.
There are always new themes bursting onto the scene, like empowerment or mindfulness, which you can tap into to bring fresh stories to market. For example, in The Princess and the Pizza, Mary Jane Auch subverts the classic princess story: instead of accepting her fate and marrying into another royal family, Princess Paulina becomes a self-sufficient founder of a pizza empire. And of course, this idea ingeniously combines three things that many children love: princesses, carbs, and cheese.
The most iconic children's book characters have distinct and relatable personalities. Think of Leo Lionni’s Frederick, a field mouse whose fondness for poetry and art is seen as distracting from his family’s efforts to gather supplies for winter. Or take Jim Panzee from Suzanne Lang’s Grumpy Monkey, another outsider who struggles with his “bad temper” while everyone around him is having fun 一 something many kids will relate to.
Young readers don’t want to read about perfect heroes, but rather characters they recognize. Memorable characters should come with their own fully realized strengths, weaknesses, conflicts, and motivations that make them compelling to their young readers.
.jpg)
0 Comments